SADRIDDIN PACHCHOEV: THE LAST BUKHARA MINIATURIST AND THE TRANSFORMATION OF TRADITION IN THE VISUAL CULTURE OF THE NEW ERA
Дата публикации
23.06.2026
Журнал
Концептуальные основы фундаментальных, прикладных и инновационных исследований в трансформации педагогического образования и воспитания
Выпуск
Сборник материалов международной научно-практической конференции на тему: «Концептуальные основы фундаментальных, прикладных и инновационных исследований в трансформации педагогического образования и воспитания»
Страницы
735-740
Авторы
Аннотация
This article examines the artistic legacy of Sadriddin Pachchoev, a former jeweler and master craftsman who occupies a distinctive place in the history of Bukhara miniature painting. In creating his works, Pachchoev did not merely reproduce objects mechanically; rather, he intuitively perceived the unity of individual details and produced a simple yet expressive image of the world through his own artistic vision. His works are marked by lyrical sensitivity, emotional intensity, decorative richness, and a close connection with folk artistic traditions. Particular attention is paid to the way in which the artist combined the conventions of traditional miniature painting with the themes, visual impressions, and social realities of a new historical period.
Ключевые слова
Bukhara school
architectural landscape
artistic tradition.
fine arts
folk art
miniature painting
perspective
visual interpretation
Список литературы
1. Rempel P.I. Dalekoe i blizkoe: Bukharskie zapiski [Distant and Near: Bukhara Notes]. Tashkent: Gafur Gulyam Publishing House, 1981.
2. Rempel L.I. Arkhitekturnyi ornament Uzbekistana. Istoriya razvitiya i teoriya postroeniya [Architectural Ornament of Uzbekistan: History of Development and Theory of Construction]. Tashkent: State Publishing House of Fiction Literature, 1961.
3. Shishkin V.A. Arkhitekturnye pamiatniki Bukhary [Architectural Monuments of Bukhara]. Tashkent, 1936.
4. Masson M.E. Padaiushchii minaret [The Falling Minaret]. Tashkent: Uzbekistan, 1968.